Simplifi comes from the company that makes Quicken, but it doesn’t resemble the 30-year-old desktop

Sam Altman might still return to OpenAI after his ouster from the company, Microsoft chief Satya Nadella hinted. Chaos erupted at OpenAI on Friday as the company’s board abruptly fired its founder and chief Mr Altman, saying it “no longer has confidence in his ability to continue leading OpenAI”. Later, hundreds of the ChatGPT company’s employees threatened to quit unless its board resigned. When asked on Monday whether Mr Altman would join Microsoft, that has invested billions in the ChatGPT company, Mr Nadella said he was “open to both options”. “Look, that is for the OpenAI board and management and the employees to choose,” he told CNBC. “We obviously want Sam and Greg to have a fantastic home if they’re not going to be at OpenAI,” the Microsoft chief said. “We chose to explicitly partner with OpenAI and we want to continue to do so, and obviously, that depends on the people of OpenAI staying there or coming to Microsoft,” Mr Nadella had said. Microsoft later officially announced it was hiring Mr Altman and OpenAI co-founder Greg Brockman, who resigned on Friday. “Extremely excited to share the news that Sam Altman and Greg Brockman, together with colleagues, will be joining Microsoft to lead a new advanced AI research team,” Mr Nadella said in a post on X. “We look forward to moving quickly to provide them with the resources needed for their success,” he said. Mr Altman’s sacking was followed by about 500 staff at the company demanding the board’s resignation and the reinstatement of their dismissed boss. The employees signed a letter demanding OpenAI’s board resign and reinstate Mr Altman, claiming the decision to oust him jeopardised the company’s work. The letter was reportedly signed by several senior staff at OpenAI. Mira Murati, the company’s chief technology officer who was appointed as the interim chief following Mr Altman’s exit, was one of the signatories. Another signatory, Ilya Sutskever, the company’s chief scientist and one of the board members, expressed “deep regret” over the decision to remove Mr Altman. Employees at the company’s headquarters reportedly refused to attend an emergency all-hands meeting with new OpenAI boss Emmett Shear that was scheduled on Sunday. Some had responded to a Slack announcement with a middle-finger emoji, according to reports. Mr Nadella also said “it’s clear something has to change around the governance” at OpenAI. “We’ll have a good dialogue with their board on that, and walk through that as that evolves,” he said. Mr Altman said on X that his “top priority” remains to “ensure OpenAI continues to thrive”. “We are committed to fully providing continuity of operations to our partners and customers,” the ousted tech boss said on Monday. “We have more unity and commitment and focus than ever before. We are all going to work together some way or other, and I’m so excited. one team, one mission,” Mr Altman said. Read More OpenAI staff ‘threaten to quit over ousting of Sam Altman’ Microsoft’s new AI tool cleans up messy backgrounds in video calls First carbon capture plant opens in the US to help avoid climate catastrophe One of the world’s most hyped tech products just launched – and made a big mistake Musk files defamation suit against Media Matters over Nazi X post claims ‘We are broken’: Armenia looks to technology to rebuild

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A Texas woman has been awarded more than one billion dollars after explicit images of her body were shared on porn websites by her former partner. Attorneys for the woman, who is only identified in court documents as Jane Doe, told ABC News that the $1.2bn award was more than what they were expecting. The woman filed her civil lawsuit in Harris County Civil Court in April 2022, alleging that her ex-boyfriend Marques Jamal Jackson had shared her nudes on fake Twitter, Facebook and YouTube profiles. The defence also alleged that Mr Jackson, who did not attend the one-day-long civil trial, then forwarded the profiles to the woman’s friends, family, and colleagues. Deliberations before the jury reached an agreement regarding the award sum — the largest civil verdict in the Lone Star State so far this year — only took 30 minutes. Speaking out following the trial, the woman said having pictures of her naked body shared without her permission had left her traumatised. “This type of experience is devastating,” the woman told ABC. “It’s extremely painful. It’s hurtful. It’s embarrassing and you fear that either something will trigger and it will start again or that the previous effort inspired someone new and then they might start.” According to court documents obtained by KHOU 11, the woman and Mr Jackson met in 2016 and went on to have a four-year relationship. When they broke up in 2021, Mr Jackson allegedly shared her nudes on Facebook, Twitter, Dropbox, and Pornhub. The woman’s attorney Jacob Schiffer said that Mr Jackson had access to a camera system installed on her mother’s property as well as her login information for several social media and email accounts. Mr Schiffer said Mr Jackson would even hack into the woman’s Zoom meetings to show her nudes. “Every day was me, wake up, I’m checking, I’m trying to prevent it, I’m trying to constrain it,” the woman recounted to ABC. At one point, her attorney told ABC, Mr Jackson reportedly emailed her: “...won’t change the fact that you will spend the rest of your life trying and failing to wipe yourself off the internet. Everyone you ever meet will hear the story and go looking.” The Independent could not find legal representation listed for Mr Jackson. The victim said that she unsuccessfully asked police for help and after a year of living in fear that more of her pictures would be shared online, she hired legal counsel. Mr Schiffer said that while he doesn’t expect Mr Jackson to pay the money, he hopes the hefty sum sends a message. “For the future, anyone thinking of wanting to do this to somebody else that is going to weigh on them like a ball and chain until the date that they’re buried,” Mr Shiffer said. Sharing intimate material without a person’s consent is considered a felony. It is unclear whether the victim plans to file criminal charges. The Independent has reached out to the woman’s attorneys. Read More Four in 10 women have experienced or witnessed sexual harassment on social media, research has found Thirteen-year-old girl is forced to give birth under Mississippi abortion ban How a law associated with mobsters could be central in possible charges against Trump

The embattled wind industry remains economically viable even as higher costs and tougher markets drag down the world’s

PHOENIX--(BUSINESS WIRE)--Sep 25, 2023--

The iPhone is a lot of things. It's a social networking portal, it's a games console – sometimes it's even a phone. For Apple's Jon McCormack, Apple's vice president for camera software engineering, it's "primarily a camera that you can text from". It wasn't always this way. When Steve jobs introduced the iPhone in 2007, he famously described it is an iPod, a phone and an internet communications device; the first iPhone had a camera, new iPhones are cameras. The pictures that first iPhone turned out were more useful than beautiful. Today, however, the iPhone's pictures have grown up, and it is now the most popular camera in the world. Now the question is how sharp the pictures should be, and there has even been some criticism that the pictures it turns out are too sharp, if anything. The iPhone's camera is no longer just a useful addition but is used in professional contexts, and is often given as the main reason to upgrade to new models. The new iPhone 15s, in particular the premium Pro and Pro Max, continue Apple's mission to turn its smartphones into cameras like nothing in the history of photography. They have new image formats, the addition of extra focal lengths, and the iPhone 15 Pro Max even includes a 5x lens that makes use of a "tetraprism" lens that bounces light around inside the phone to add dramatically more zoom without making the phone any bigger. All of that additional hardware works in collaboration with improved software: users no longer have to click into portrait mode, for instance, because the camera automatically captures depth information when taking a picture of people, so that background blur can be added and edited even after the photo has been taken. Apple has also added a host of features that many people are unlikely ever to even look at, let alone use, but are important to professionals. They include the addition of Log encoding and the Academy Color Encoding System – both key to those who need them. Apple also says that the new iPhone has "the equivalent of seven pro lenses", despite really only having three; what they mean is that you can choose different crops, which is in part an attempt to appeal to those professional photographers who stubbornly say that they will only ever work with a 50mm lens, for instance. (Those new lens choices are not only a cropped version of the existing lenses, says McCormack, since the phone also has custom neural networks specifically designed to optimise images at that focal length.) Those complex new features are a reminder that the iPhone is many things to many users: some may simply want to remember important events, or snap pictures of their pets. Others might be truly professional photographers, needing to rely on their iPhone to capture valuable and fleeting events. Some people are, no doubt, both – and Apple is aware that the iPhone has to be both, too. "For us, what we feel is really important – especially since computational photography started to blur the line between hardware and software, and really enable anybody to take stunning shots with minimal effort – is making sure that that tool that we have in your pocket is adapting to your needs," says Maxime Veron, Apple's senior director for iPhone product marketing. "So if you're just trying to take a quick photo of your kids can get out of the way and just allow you to do that. And if you want to create a professionally created Hollywood style video, it can also give you the customisation and the power to do that." McCormack says that Apple builds the camera from "the core belief that everybody has got a story that is worth telling". For some people that story might be their child taking their first steps, captured in a video that will be shared with only a few people. Or it might be a photojournalist taking images that are going to be shared with millions. "Our belief is that your level of technical understanding shouldn't get in the way of you being able to tell that story," he says. High-end cameras have often required their users to think about a whole host of questions before they even get to actually pressing the button to take a picture: "the temperature of light, the amount of light, the direction of light, how fast is the subject moving? What are the skin tones?" notes McCormack. "Every second that you spend thinking about that, and playing with your settings and things like that, are seconds that you are drawn out of the moment," he says. "And what we want to create is this very deep connection between the photographer, the videographer and the moment." He points to the action button on this year's Pro models, which can be programmed to launch the camera with a push. "It's all about being able to say all of this crazy complexity of photography, or videography – Apple's taken that, and understood that, and hidden that from you," he says. "You as a photographer, you get to concentrate on the thing that you want to say, and finding that decisive moment, finding that beautiful framing, that says the thing that you want to say. "But the motivation for all of this and using all of this crazy, great computational photography, computational videography, is that we don't want to distract you from telling the story that you want to tell." That has meant building the iPhone's camera in a way that the features "unfold", he says. "Out of the box, we are going to give you an amazing thing that is going to cover most of your moments, with lots of dynamic range, lots of resolution, zero shutter lag, so you can capture the moment. "But of course, there are folks who are going to look at this and say, you know, I've got a very specific and very prescriptive vision," he says. He points to a variety of new tools that are built into the phone, such as the ProRAW format, which makes huge files and is not especially useful to most – but can be key to someone who really wants to ensure they are able to process every detail of a photograph after it is taken. Those are hidden within settings, there for the people who need them but not troubling those who don't. Veron also notes that many of those extra features are enabled by "an amazing ecosystem of third party partners" who make apps that allow people to get features they are looking for. It is a reminder of just how much is going on as soon as someone takes a picture with the iPhone. First, light travels through one of Apple's three lenses and hits a 48 megapixel sensor – but that's just the beginning of a long process of computational photography that analyses and optimises that image. The picture that is taken is not just the one image, for example: it is actually made up of multiple exposures, with more or less light, that can then be merged into a picture with the full dynamic range. "This year for the first time, we merge them in a larger resolution," says McCormack. It takes one image in 12 megapixels, to give a fast shutter speed and plenty of light, by combining pixels together; then it grabs a 24-megapixel frame, which collects the detail. "Then we register those together and use a custom machine learning model to go and transfer the detail from the 48 over into what has now become a 24." That creates something like the negative in old camera terms, which the iPhone’s processor can then get to work on, using parts of its chip focused on machine learning. "We use the neural engine to go decompose that photograph, bit by bit." It will notice if people have different skin tones, and develop those parts of the image accordingly; hair, eyes, a moving background and more are all taken to pieces and optimised on their own. (The intensity of that process has occasionally led to questions over whether the phone is working too hard to make its images look good.) Then there's yet more work for the camera system. The iPhone uses tonemapping to ensure that images pop on the bright screens of modern iPhones, but also that they still look bright on a compressed image that might be sent around the internet; one of the many changes that smartphones have brought to photography is that, for the first time, the photos are mostly looked at on the same device they were taken with, but that they can also be sent and seen just about anywhere. If the image is taken using night mode, then there's even more work, with new tools that ensure that colours are more accurate. And that isn't even mentioning portrait mode, which when it registers that there is a person (or a pet) in the frame will gather the relevant depth information to ensure that the background can be manipulated later. That whole process – those five paragraphs, and thousands of calculations by the phone – happen within the tiniest moment after pressing the button to take the photo. The phone may look as if it is serenely offering up an image to its users, but it has been busily working away in the background to ensure the picture is as accurate and vibrant as possible. All that work done by the camera and the rest of the device depends on a variety of choices made not only by the iPhone but by Apple, which accounts for the look of the modern iPhone picture – Veron says that its aim in making those decisions is to make "beautiful, true-to-life memories in just one click". McCormack is clearly keenly aware of the responsibility of that task; his vision decides what the world's memories look like. "This is your device that you carry with you all time the time, and we want to be really, really thoughtful of that," he says. That responsibility carries into the design of the camera within the phone: rumours had suggested that this year's model would include a "periscope" design for the long zoom, bouncing the light through the length of the iPhone, but McCormack says that Apple went for the five-way prism to ensure that it could "both retain the industrial design that we want, to just make iPhone feel so good in your hand, but also be able to get that extra focal length". "It is just of one of those crazy things – only Apple is going to do something like that. And I'm really glad that that's the way we think about product." Read More Tim Cook says Vision Pro release is on track: ‘I watched Ted Lasso Season 3 on it’ Apple Store goes offline as Apple opens pre-orders for iPhone 15 Apple to update iPhone 12 after fears over radiation iPhone 12 is not emitting dangerous radiation, Apple says, amid fears of Europe ban France’s iPhone 12 ban could spread across Europe, regulators say Everything Apple killed off at iPhone 15 event

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SANTA ROSA, Calif.--(BUSINESS WIRE)--Aug 30, 2023--