CoinsPaid, the world’s biggest crypto payments provider, reported a $37 million hack it’s attributed to North Korea’s Lazarus

BELLEVUE, Wash.--(BUSINESS WIRE)--Sep 19, 2023--

There's a big downside to Prime Day deals: even when you spot a great bargain,

A cyber attack targeting the British Library has led to a leak of employee data, the institution said. The Rhysida ransomware group has claimed it has access to passports along with other data files. The group said it has started bidding in an auction for access at 20 bitcoin (around £600,000) on an online site. The British Library, which has one of the largest book collections in the world, previously reported that a “major technology outage” had hit online services, public wifi at the site and its website. Ransomware is the key cyber threat facing the UK, and all organisations should take immediate steps to limit risk by following our advice on how to put in place robust defences to protect their networks National Cyber Security Centre spokesperson It said in October that the National Cyber Security Centre (NCSC) and cybersecurity specialists were investigating. On Tuesday, an NCSC spokesperson said: “We are working with the British Library to fully understand the impact of an incident. “Ransomware is the key cyber threat facing the UK, and all organisations should take immediate steps to limit risk by following our advice on how to put in place robust defences to protect their networks.” The British Library, near St Pancras railway station, remains open and visitors can access the reading rooms for personal study. On Monday, the library posted a statement to X confirming internal HR files had been leaked. It said: “We’re continuing to experience a major technology outage as a result of a cyber-attack, affecting our website, online systems and services, and some onsite services too. “We anticipate restoring many services in the next few weeks, but some disruption may persist for longer. “Following confirmation last week that this was a ransomware attack, we’re aware that some data has been leaked. This appears to be from our internal HR files. “We have no evidence that data of our users has been compromised.” The Information Commissioner’s Office (ICO), the UK’s data protection watchdog, has confirmed it is looking into the breach. An ICO spokesperson said: “The British Library reported an incident to us and we are making inquiries.” Last week, the Federal Bureau of Investigation (FBI), Cybersecurity and Infrastructure Security Agency (CISA), and the Multi-State Information Sharing and Analysis Centre (MS-ISAC) warned about Rhysida. In a joint statement they said the group has launched attacks “against the education, healthcare, manufacturing, information technology, and government sectors since May 2023”.

Avangrid Inc. agreed to pay $16 million to exit contracts for a New England offshore wind farm that

Fans can earn and claim free Twitch drops, like Double XP Tokens, Emblems, and Calling Cards, as they watch the World Series of Warzone.

At least 60,000 Android apps carried adware in the last six months, according to the

A federal judge has handed Microsoft a major victory by declining to block its looming $69 billion takeover of video game company Activision Blizzard

A Belfast-based software supply chain management firm has announced an £8.8m investment. Cloudsmith will use the funding to grow operations for its global client base, including leading software companies such as Shopify, PagerDuty, Font Awesome, HP and EnterpriseDB. The funding, led by MMC Ventures, will bolster the firm’s ability to deliver a software supply chain platform. Cloudsmith provides organisations with a single source for managing all their software assets, including datasets required to build the AI products of the future. Recently appointed chief executive officer Glenn Weinstein said the industry demand for software supply chain solutions is surging. He said: “Despite economic headwinds and a slow venture capital funding market, this announcement reaffirms the confidence our investors have in Cloudsmith. “We’ve been successfully disrupting and reinventing the software supply chain market. “This fresh infusion of capital also comes as industry demand for secure and reliable software supply chain solutions is surging. “Cybersecurity attacks of increasing severity have become more frequent, and threaten reputational damage, data exfiltration and IP theft.” The firm’s software supply chain management platform is designed to meet the needs of software teams building for internal use or distributing software packages to the market. It provides a suite of artefact storage, management and distribution solutions, allowing developers and companies to streamline and control their software supply chain, improve collaboration and accelerate product delivery. Belfast is a leading tech hub with a thriving digital economy Glenn Weinstein Mr Weinstein added: “This funding will be used to enhance Cloudsmith’s unique cloud-native software supply chain solution, which is faster, more secure and of higher value than the legacy on-premises vendors we’re displacing. “Cloudsmith is a great choice for companies with software teams distributed in remote locations, and while the US is our largest market, we continue to see increased demand from a range of countries including the UK, Germany and Australia.” He emphasised the strategic importance of its Belfast headquarters which benefits from access to both UK and EU markets. “Belfast is a leading tech hub with a thriving digital economy. “We see this renewed round of investment as a doubling down on Cloudsmith’s commitment to this vibrant city.” Read More Young people the biggest users of generative AI, Ofcom study shows No ‘smoking gun’ linking mental health harm and the internet – study UK and South Korea issue warning over North Korea-linked cyber attacks Data protection watchdog warns websites over cookie consent alerts Employee data leaked during British Library cyber attack Half of adults who chat online with strangers do not check age – poll

Amelia Giordano from Carpenter Elementary School, as charged following the suicide of Paul Pine in January

SANTA ROSA, Calif.--(BUSINESS WIRE)--Jul 10, 2023--

The iPhone is a lot of things. It's a social networking portal, it's a games console – sometimes it's even a phone. For Apple's Jon McCormack, Apple's vice president for camera software engineering, it's "primarily a camera that you can text from". It wasn't always this way. When Steve jobs introduced the iPhone in 2007, he famously described it is an iPod, a phone and an internet communications device; the first iPhone had a camera, new iPhones are cameras. The pictures that first iPhone turned out were more useful than beautiful. Today, however, the iPhone's pictures have grown up, and it is now the most popular camera in the world. Now the question is how sharp the pictures should be, and there has even been some criticism that the pictures it turns out are too sharp, if anything. The iPhone's camera is no longer just a useful addition but is used in professional contexts, and is often given as the main reason to upgrade to new models. The new iPhone 15s, in particular the premium Pro and Pro Max, continue Apple's mission to turn its smartphones into cameras like nothing in the history of photography. They have new image formats, the addition of extra focal lengths, and the iPhone 15 Pro Max even includes a 5x lens that makes use of a "tetraprism" lens that bounces light around inside the phone to add dramatically more zoom without making the phone any bigger. All of that additional hardware works in collaboration with improved software: users no longer have to click into portrait mode, for instance, because the camera automatically captures depth information when taking a picture of people, so that background blur can be added and edited even after the photo has been taken. Apple has also added a host of features that many people are unlikely ever to even look at, let alone use, but are important to professionals. They include the addition of Log encoding and the Academy Color Encoding System – both key to those who need them. Apple also says that the new iPhone has "the equivalent of seven pro lenses", despite really only having three; what they mean is that you can choose different crops, which is in part an attempt to appeal to those professional photographers who stubbornly say that they will only ever work with a 50mm lens, for instance. (Those new lens choices are not only a cropped version of the existing lenses, says McCormack, since the phone also has custom neural networks specifically designed to optimise images at that focal length.) Those complex new features are a reminder that the iPhone is many things to many users: some may simply want to remember important events, or snap pictures of their pets. Others might be truly professional photographers, needing to rely on their iPhone to capture valuable and fleeting events. Some people are, no doubt, both – and Apple is aware that the iPhone has to be both, too. "For us, what we feel is really important – especially since computational photography started to blur the line between hardware and software, and really enable anybody to take stunning shots with minimal effort – is making sure that that tool that we have in your pocket is adapting to your needs," says Maxime Veron, Apple's senior director for iPhone product marketing. "So if you're just trying to take a quick photo of your kids can get out of the way and just allow you to do that. And if you want to create a professionally created Hollywood style video, it can also give you the customisation and the power to do that." McCormack says that Apple builds the camera from "the core belief that everybody has got a story that is worth telling". For some people that story might be their child taking their first steps, captured in a video that will be shared with only a few people. Or it might be a photojournalist taking images that are going to be shared with millions. "Our belief is that your level of technical understanding shouldn't get in the way of you being able to tell that story," he says. High-end cameras have often required their users to think about a whole host of questions before they even get to actually pressing the button to take a picture: "the temperature of light, the amount of light, the direction of light, how fast is the subject moving? What are the skin tones?" notes McCormack. "Every second that you spend thinking about that, and playing with your settings and things like that, are seconds that you are drawn out of the moment," he says. "And what we want to create is this very deep connection between the photographer, the videographer and the moment." He points to the action button on this year's Pro models, which can be programmed to launch the camera with a push. "It's all about being able to say all of this crazy complexity of photography, or videography – Apple's taken that, and understood that, and hidden that from you," he says. "You as a photographer, you get to concentrate on the thing that you want to say, and finding that decisive moment, finding that beautiful framing, that says the thing that you want to say. "But the motivation for all of this and using all of this crazy, great computational photography, computational videography, is that we don't want to distract you from telling the story that you want to tell." That has meant building the iPhone's camera in a way that the features "unfold", he says. "Out of the box, we are going to give you an amazing thing that is going to cover most of your moments, with lots of dynamic range, lots of resolution, zero shutter lag, so you can capture the moment. "But of course, there are folks who are going to look at this and say, you know, I've got a very specific and very prescriptive vision," he says. He points to a variety of new tools that are built into the phone, such as the ProRAW format, which makes huge files and is not especially useful to most – but can be key to someone who really wants to ensure they are able to process every detail of a photograph after it is taken. Those are hidden within settings, there for the people who need them but not troubling those who don't. Veron also notes that many of those extra features are enabled by "an amazing ecosystem of third party partners" who make apps that allow people to get features they are looking for. It is a reminder of just how much is going on as soon as someone takes a picture with the iPhone. First, light travels through one of Apple's three lenses and hits a 48 megapixel sensor – but that's just the beginning of a long process of computational photography that analyses and optimises that image. The picture that is taken is not just the one image, for example: it is actually made up of multiple exposures, with more or less light, that can then be merged into a picture with the full dynamic range. "This year for the first time, we merge them in a larger resolution," says McCormack. It takes one image in 12 megapixels, to give a fast shutter speed and plenty of light, by combining pixels together; then it grabs a 24-megapixel frame, which collects the detail. "Then we register those together and use a custom machine learning model to go and transfer the detail from the 48 over into what has now become a 24." That creates something like the negative in old camera terms, which the iPhone’s processor can then get to work on, using parts of its chip focused on machine learning. "We use the neural engine to go decompose that photograph, bit by bit." It will notice if people have different skin tones, and develop those parts of the image accordingly; hair, eyes, a moving background and more are all taken to pieces and optimised on their own. (The intensity of that process has occasionally led to questions over whether the phone is working too hard to make its images look good.) Then there's yet more work for the camera system. The iPhone uses tonemapping to ensure that images pop on the bright screens of modern iPhones, but also that they still look bright on a compressed image that might be sent around the internet; one of the many changes that smartphones have brought to photography is that, for the first time, the photos are mostly looked at on the same device they were taken with, but that they can also be sent and seen just about anywhere. If the image is taken using night mode, then there's even more work, with new tools that ensure that colours are more accurate. And that isn't even mentioning portrait mode, which when it registers that there is a person (or a pet) in the frame will gather the relevant depth information to ensure that the background can be manipulated later. That whole process – those five paragraphs, and thousands of calculations by the phone – happen within the tiniest moment after pressing the button to take the photo. The phone may look as if it is serenely offering up an image to its users, but it has been busily working away in the background to ensure the picture is as accurate and vibrant as possible. All that work done by the camera and the rest of the device depends on a variety of choices made not only by the iPhone but by Apple, which accounts for the look of the modern iPhone picture – Veron says that its aim in making those decisions is to make "beautiful, true-to-life memories in just one click". McCormack is clearly keenly aware of the responsibility of that task; his vision decides what the world's memories look like. "This is your device that you carry with you all time the time, and we want to be really, really thoughtful of that," he says. That responsibility carries into the design of the camera within the phone: rumours had suggested that this year's model would include a "periscope" design for the long zoom, bouncing the light through the length of the iPhone, but McCormack says that Apple went for the five-way prism to ensure that it could "both retain the industrial design that we want, to just make iPhone feel so good in your hand, but also be able to get that extra focal length". "It is just of one of those crazy things – only Apple is going to do something like that. And I'm really glad that that's the way we think about product." Read More Tim Cook says Vision Pro release is on track: ‘I watched Ted Lasso Season 3 on it’ Apple Store goes offline as Apple opens pre-orders for iPhone 15 Apple to update iPhone 12 after fears over radiation iPhone 12 is not emitting dangerous radiation, Apple says, amid fears of Europe ban France’s iPhone 12 ban could spread across Europe, regulators say Everything Apple killed off at iPhone 15 event